1980 Oil Alizarin Crimson
$11.85 – $23.95
Alizarin Crimson: Cool, slightly bluish red with smoky glaze. 19th century “lake” color made by the fusing a dye on to a substrate. Only Alizarin Crimson is still commonly used by painters today.
Series 2
Transparent
Vehicle: Alkali refined linseed oil
Lightfastness III, PR83
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Primary Uses for Gamsol:
- Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.
- Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.
- Studio clean-up: brushes, palettes, palette knives, etc.
How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment.
9 in stock
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and
flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a
satin gloss.
5 in stock (can be backordered)
Sizes ranging from 4×4 to 8×10. Standard width is ¾ inch and Gallery width is 1½ inch.
The Gotrick Wood Panel Collection provides an excellent surface for painting in oils or acrylics, mixed media, collages and even watercolours and pastels. Just prepare your panel with the ground best suited to your media. These panels are especially good for any medium requiring a rigid support, and offer a striking alternative to works of art on canvas.
6 in stock (can be backordered)
A better, longer lasting bristle brush that performs better than natural bristle across a broad range of media. A key advantage of 6300 is that it won’t go limp in water! Try that with natural bristle! Modelled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle.
- Synthetic Hog Bristle
- Excellent stiffness in water based mediums
- Good snap for shape retention
- Great all-purpose brush
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