C.Pellerin Abstracting Workshop
As we reflect on the past decade of fostering creativity within our community, we are thrilled to embark on a year-long celebration of workshops led by professional Saskatchewan artists who have contributed immensely to our artistic landscape.
This one day workshop is on June 1st, Saturday from 10:00am – 5:00pm. If this class is full, you may phone us at 306 653 1900 to add your name to a wait list.
This one-day workshop is designed to explore your unique visual language, enhance your painting process, and refine your self-evaluation skills by employing design elements and principles. The morning will involve playful exercises, serving as tools for the afternoon when we delve into the abstraction of a muse. Cindy will also share insights into how these elements are utilized in her artistic process. While the focus is not on a finished product, you might find your masterpiece emerging!
Lunch Break – Bring a bagged lunch and join Cindy for informal discussions about artmaking and being creatives. A supply list will be provided closer to the workshop date.
Supply List to Follow
I was encouraged to pursue art throughout my childhood, extending into my primary and secondary school years. I continued my artistic journey at Red Deer College, where I gained intensive experience in drawing, painting, visual fundamentals, ceramics, and sculpture. Subsequently, I completed my B.F.A. at the University of Saskatchewan under the guidance of Robert Christie and Otto Rogers. This educational background has significantly influenced my painting style, drawing inspiration from Abstract Expressionism, Color Field painting, and the Formalist approach.
Currently, I am an independent artist residing in Saskatoon, Saskatchewan, Canada. I work both in my backyard studio and at The Studio on 20th. The large windows in my garden studio provide a close connection to the beauty of my garden and the expansive prairie sky, creating a space of serenity. Conversely, my downtown studio offers a different perspective, with views of the bustling streets and the constant ebb and flow of people in the core neighborhood, generating a space filled with vibrant energy.
Based on 0 reviews
|
|
0% |
|
|
0% |
|
|
0% |
|
|
0% |
|
|
0% |
Only logged in customers who have purchased this product may leave a review.
Related Products
This natural white paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio, and screen print. Also suitable for relief printing. The medium-textured surface is soft, durable, and can absorb large amounts of ink. Paper is high alpha cellulose wood fiber.
Available on backorder
20 in stock (can be backordered)
Superior for use with art and drafting instruments and brushes. Higgins inks may be thinned with water for washes and are excellent for use with airbrushes. Superwhite, White, Neutral Gray, and Russet are waterproof. All colors come in non-breakable, 1 oz. bottles with dropper tops.
1 in stock (can be backordered)
An economical, 70 lb., white, acid-free drawing paper with a regular surface. Ideal for pencil, pen and ink, crayon or charcoal. Spiral Bound.
These 100% cotton, acid-free archival paper sheets are ideal for a broad array of printmaking applications including relief, lithography, intaglio and screen print. The 280 gsm medium-textured natural white paper features two deckled edges, is soft yet durable enough to withstand being soaked prior to printing.
4 in stock
Superior for use with art and drafting instruments and brushes. Higgins inks may be thinned with water for washes and are excellent for use with airbrushes. Superwhite, White, Neutral Gray, and Russet are waterproof. All colors come in non-breakable, 1 oz. bottles with dropper tops.
1 in stock (can be backordered)
This heavy-weight mixed media paper is available in warm tan, cool gray and steel blue and is toned specifically for use with light and dark media. It also combines the characteristics of a watercolor paper and the finish of a drawing sheet, creating a paper that performs for all wet and dry media. It’s the perfect hybrid of two of our most loved papers: 400 Series Toned Sketch and 400 Series Mixed Media. Flip-over covers feature sheets that stay in the pad yet tear out cleanly. These papers are 100% recycled with 30 PCW, are acid-free, and proudly made in the USA. The pads contain 184 lb. (300 gsm) medium-surface paper appropriate for graphite, colored pencils, markers, acrylic, watercolor, gouache, pen and ink, charcoal, gel pens and more.
2 in stock (can be backordered)
The most economical paper for those who draw and sketch a lot. Newsprint offers a workable surface for any medium used in drawing and sketching.
31 in stock
Superior for use with art and drafting instruments and brushes. Higgins inks may be thinned with water for washes and are excellent for use with airbrushes. Superwhite, White, Neutral Gray, and Russet are waterproof. All colors come in non-breakable, 1 oz. bottles with dropper tops.
1 in stock (can be backordered)
Strathmore Oil Painting paper provides artists with a convenient alternative to canvases or boards for oil paints or oil pastels. No gesso is required to prevent oil saturation, just simply tear out a sheet and start painting. The linen surface mimics canvas while providing texture to help blend and hold layers of paint in place. Intended for the creation of final art pieces. Ten 215lb. sheets per glue-bound pad.
3 in stock
© 2020 Nasatheme - All Right reserved!
Reviews
There are no reviews yet.