Sennelier
-
D'Arti Sennelier Pstl Fixativ 400ml $35.80
Made from a vinyl resin and alcohol base, this totally transparent fixative leaves a clear and glossy film to protect oil pastels against dust and smearing.
3 in stock
-
Latour Sennelier Pstl Fixativ 400ml $35.80
Specially formulated fixative for protecting soft pastel drawings. In a 400ml spray can.
2 in stock
-
Princeton AquaElite Round 6 $16.70
Aqua Elite is an innovative synthetic-hair paint brush that is indistinguishable from natural Kolinsky, yet significantly more affordable. The performance of this new synthetic hair brush technology makes Princeton Aqua Elite the new standard for discerning watercolor artists.
Features
- Better Than Natural Kolinsky
- Delivers Oceans of Color
- Finest Point and Tapered Edge
- Animal Friendly
- Durable and Affordable
2 in stock (can be backordered)
-
Sennelier 20 Asst Half Pastel Set $72.15
The name Sennelier has been synonymous with the finest pastels available in the world, whose intensity of colour and singular velvety feel have been appreciate by pastelists since the turn of the century. Sennelier’s first colours were commission by Degas, and are made the same way today by hand. Unlike other pastels, Sennelier pastels are pure pigment and are devoid of any fillers of clay, which dull the pastel’s colour. An exclusive natural binder holds their hand-selected pigments together, yielding vivid, and water-soluble colour. This set offers an introduction to Sennelier quality at an affordable price, perfect for beginners and students. The unlabelled half stick’s larger more robust form is perfect for turning on their sides and applying broad strokes of colour.
2 in stock (can be backordered)
-
Sennelier Ash Blue Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
Available on backorder
-
Sennelier Azure Blue Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Barite Green Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
4 in stock (can be backordered)
-
Sennelier Bismuth Yello OilStick S1 $14.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Black Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Blender OilStick S1 $14.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Blue Alizarin Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Blue Chr Green Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Blue Grey Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
4 in stock (can be backordered)
-
Sennelier Blue Violet Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Bordeaux Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Br Yell Green OilStick S1 $14.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Bright Yellow Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Brit Turquoise Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Bronze OilStick S2 $17.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Brown Light Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Brown Madder Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Brown Ochre Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Brown Pink Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Burnt Sienna Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Burnt Umber Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock (can be backordered)
-
Sennelier Burnt Umber OilStick S1 $14.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Cad Lemon Yl OilStick S3 $20.75
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Cad Orange Giant OilStick $69.75
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
2 in stock (can be backordered)
-
Sennelier Cad Orange OilStick S3 $20.75
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
3 in stock (can be backordered)
-
Sennelier Cad Rd Purple OilStick S3 $20.75
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
1 in stock (can be backordered)
