A smooth surface and light sizing makes this paper a favorite with artists and printmakers working in practically every technique. Mold-made, 100% cotton, acid-free and buffered, the sheets have four deckled edges and a registered watermark. Excellent for all hand-printing processes, lithography, intaglio etching, wood engraving, silkscreen, linocut and collotype. They may also be used for embossing and drawing, though they are not recommended for offset printing.
These 100% cotton, acid-free archival paper sheets are ideal for a broad array of printmaking applications including relief, lithography, intaglio and screen print. The 280 gsm medium-textured natural white paper features two deckled edges, is soft yet durable enough to withstand being soaked prior to printing.
The Strathmore Learning Series incorporates step-by-step art lessons, developed by the most popular art instructors, into a pad of quality Strathmore paper. Online video tutorials for each pad create an integrated learning experience that help beginning and experienced artists explore a new art style. Learn to draw textures and nature in colored pencil as taught by Cynthia Knox. The 9″ x 12″ pads contains 12 sheets of 300 Series, Bristol paper with a vellum finish.
Superior for use with art and drafting instruments and brushes. Higgins inks may be thinned with water for washes and are excellent for use with airbrushes. Superwhite, White, Neutral Gray, and Russet are waterproof. All colors come in non-breakable, 1 oz. bottles with dropper tops.
The Watercolor Learning Series pads feature 200 Series Skills Watercolor paper and incorporates step-by-step art lessons, developed by art instructors, into a pad of quality Strathmore paper. Online video tutorials at www.strathmorelearning.com for each pad create an integrated learning experience that help beginning and experienced artists explore a new art style. The 200 Series Skills pads are an ideal choice for practice, study and improving techniques.
Introducing a new generation of oil painting linseed medium.
After extensive research Martin and Paul has developed an all natural Ultra Clear linseed oil that dries clearer, faster, and will yellow less. It’s superior brushing capabilities, very low odour, and superior mixing capabilities provides artists with a clean, fast, and safe alternative to conventional linseed oils.