red
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Sennelier Primary Red OilStick S1 $14.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
4 in stock
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Sennelier Red Brown 1 Soft Pastel $9.95
Sennelier uses only the purest pigments, mixed with minimal amounts of natural binders, in an exclusive formula that yields lightfast, water-soluble pastels. There is just enough binder to hold the pigment together as the pastels are formed by hand, placed in special molds, and allowed to air dry. No fillers or clays are used. Sennelier soft pastels are highly concentrated and so soft that a gentle stroke will deliver a solid, powerful line of brilliant color. Full Sticks are 2½” long × ½” in diameter (64 mm × 13 mm)
3 in stock
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Sennelier Red Brown 2 Soft Pastel $9.95
Sennelier uses only the purest pigments, mixed with minimal amounts of natural binders, in an exclusive formula that yields lightfast, water-soluble pastels. There is just enough binder to hold the pigment together as the pastels are formed by hand, placed in special molds, and allowed to air dry. No fillers or clays are used. Sennelier soft pastels are highly concentrated and so soft that a gentle stroke will deliver a solid, powerful line of brilliant color. Full Sticks are 2½” long × ½” in diameter (64 mm × 13 mm)
6 in stock
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Sennelier Red Brown 4 Soft Pastel $9.95
Sennelier uses only the purest pigments, mixed with minimal amounts of natural binders, in an exclusive formula that yields lightfast, water-soluble pastels. There is just enough binder to hold the pigment together as the pastels are formed by hand, placed in special molds, and allowed to air dry. No fillers or clays are used. Sennelier soft pastels are highly concentrated and so soft that a gentle stroke will deliver a solid, powerful line of brilliant color. Full Sticks are 2½” long × ½” in diameter (64 mm × 13 mm)
3 in stock
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Sennelier Red Brown 6 Soft Pastel $9.95
Sennelier uses only the purest pigments, mixed with minimal amounts of natural binders, in an exclusive formula that yields lightfast, water-soluble pastels. There is just enough binder to hold the pigment together as the pastels are formed by hand, placed in special molds, and allowed to air dry. No fillers or clays are used. Sennelier soft pastels are highly concentrated and so soft that a gentle stroke will deliver a solid, powerful line of brilliant color. Full Sticks are 2½” long × ½” in diameter (64 mm × 13 mm)
3 in stock
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Sennelier Red Brown Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock
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Sennelier Red Deep Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
2 in stock
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Sennelier Red Light Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
4 in stock
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Sennelier Red Orange Lt OilStick S2 $17.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
2 in stock
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Sennelier Red Orange OilStick S2 $17.50
This material allows oil painting to be approached differently. It extends the artist’s freedom of expression, allowing a greater degree of spontaneity, of “expressionism”.
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
2 in stock
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Sennelier Red Violet Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
3 in stock
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Sennelier Reddish B Grey Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
3 in stock
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Sennelier Ruby Red Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
5 in stock
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Sennelier Venetian Red Oil Pastel $6.25
Created in the 1940’s in collaboration with Pablo Picasso these creamy, lipstick-like pastels are rich in pigment, cover well, and have outstanding opacity and lightfastness. They may be thinned with turpentine and worked with a brush, are acid-free and can be applied to any surface. They are made with top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidize, ensuring stability of film and surface. The balance of this mix results in a creamy texture that invites broad strokes and freedom of expression. The high pigment content results in high coloring and covering potential and excellent brightness.
4 in stock
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Speedball Blockprint ink WS 8 oz Rd $21.40
Created from pigments ground and milled to the ideal consistency for block/relief printing, these water-soluble block printing inks print in bold color and dry to a rich, satiny finish. They possess excellent tack, ensuring even coverage and consistently spectacular results. They work great for printing with linoleum wood, soft block surfaces, flexible printing plates and polyfoam. Cleans up easily with soap and water.
3 in stock
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