Brand
Princeton Brushes
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Lovely extra-thick handmade cards with 4 organic deckled edges suitable for drawing, painting, sumi-ink works, printmaking, letterpress, etc… Crafted in the “Tamezuki” method, an East-meets-West style of papermaking that allows for thicker sheets to be made. Very substantial paper.
Alpha cellulose 90%, Kozo 10%, 200g/m. Acid Free. White. Postcard size (100x148mm). 5 Sheets.
1 in stock (can be backordered)
Excellent at full strength for technical pens, lettering pens and airbrushes, this ink may also be diluted with water for transparent washes and to produce infinite shades.
Available on backorder
A better, longer lasting bristle brush that performs better than natural bristle across a broad range of media. A key advantage of 6300 is that it won’t go limp in water! Try that with natural bristle! Modelled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle.
- Synthetic Hog Bristle
- Excellent stiffness in water based mediums
- Good snap for shape retention
- Great all-purpose brush
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An economical, 70 lb., white, acid-free drawing paper with a regular surface. Ideal for pencil, pen and ink, crayon or charcoal. Spiral Bound.
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Specially created for beginners and intermediate calligraphers, this 20 lb. natural white paper provides the ideal surface texture for smooth ink flow. Fifty 8-1/2″ x 11″ tape-bound sheets per pad.
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These 100% cotton, acid-free archival paper sheets are ideal for a broad array of printmaking applications including relief, lithography, intaglio and screen print. The 280 gsm medium-textured natural white paper features two deckled edges, is soft yet durable enough to withstand being soaked prior to printing.
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This heavy-weight mixed media paper is available in warm tan, cool gray and steel blue and is toned specifically for use with light and dark media. It also combines the characteristics of a watercolor paper and the finish of a drawing sheet, creating a paper that performs for all wet and dry media. It’s the perfect hybrid of two of our most loved papers: 400 Series Toned Sketch and 400 Series Mixed Media. Flip-over covers feature sheets that stay in the pad yet tear out cleanly. These papers are 100% recycled with 30 PCW, are acid-free, and proudly made in the USA. The pads contain 184 lb. (300 gsm) medium-surface paper appropriate for graphite, colored pencils, markers, acrylic, watercolor, gouache, pen and ink, charcoal, gel pens and more.
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